Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Friendliness by Stackridge, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC


Open iTunes to preview, buy and download music.

Album Review

Although The Man in the Bowler Hat is without question the most fully realized and lavishly produced (by George Martin) Stackridge album, most fans of the band would probably gravitate toward Friendliness as their favorite. Here can be found every quality that endeared the West Country five-piece to a loyal — but never quite large enough — following. There's Beatlesque melody, gently surreal humor, and considerable instrumental dexterity that ranged freely between the worlds of pop, folk, jazz, classical, and prog rock. The rollicking instrumental "Lummy Days" is a perfect scene-setter, with Mike Evans' violin and Mutter Slater's flute lyrical one moment and bucolic the next as the melody sweeps between hoedown, bolero, and Vaughan Williams — all in less than four minutes. Next comes the weightless beauty of the title track, with James Warren's choirboy vocals multi-tracked to bewitching effect. That's followed, even more improbably, by the '30-style foppery of "Anyone for Tennis," and not long after by the Eastern-tinged "Syracuse the Elephant," at over eight minutes long and with Mellotron aplenty, clear evidence that Stackridge could have staked their share of the prog market if they could have kept a straight face long enough. But they couldn't, and to prove it, the next track is a piece of cod-reggae about a cow, called "Amazingly Agnes." In truth this and the heads-down, no-nonsense boogie "Keep on Clucking" (a whimsical diatribe against battery farming) always did sound like grudging concessions to commercialism, and decades later they still do. But the album finishes in triumph with the haunting "Teatime," arguably one of the most convincing fusions of folk, jazz, and classical music in the entire prog rock canon, with none of the ego-fuelled blowing that so discredited the genre. [The CD reissue contains three extra tracks, including the instrumental stage favorite "Purple Spaceships Over Yatton."]


Formed: 1969

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Stackridge, one of the most singular rock bands to grow in soil sown and enriched by the British Invasion of the '60s, coalesced in late 1969. Andy Davis and Jim "Crun" Walter were playing together in the Bristol blues band Griptight Thynne when Davis began seeking new bandmates. Mike Tobin (who became Stackridge's first manager) introduced Davis to Mike "Mutter" Slater, then playing in the folk duo Mick & Mutter. James Warren answered a newspaper ad and connected very well with Davis, and they began...
Full bio
Friendliness, Stackridge
View in iTunes

Customer Ratings

We have not received enough ratings to display an average for this album.