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Prá Bom Entendedor

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Album Review

The always proper singer/composer Fátima Guedes brings another album full of sensitive and swinging songs by her and other highly talented composers in acoustic versions and economic keyboarding with excellent backing musicians. "Violão" opens the album with a lyrical fable about the creation of the violão (Brazilian acoustic guitar). Northeastern frenetic swing and sensuality is found in the frevo "Vô Alfredo" by the excellent Guinga/Aldir Blanc. Djavan is present with his "A Rota Do Indivíduo" (with Orlando Moraes), and Lenine/Dudu Falcão are represented by the exquisite accordion-backed blues "O Silêncio Das Estrelas." Of course, excellent originals, like "Faca," are also found.


Genre: MPB

Years Active: '70s, '80s, '90s

Fátima Guedes has had her compositions sung by Elis Regina (who presented her for the major audiences in 1978), Maria Bethânia, Nana Caymmi, Simone, Ney Matogrosso, Elba Ramalho, Alcione, Wanderléa, Zizi Possi, Joanna, Simone, and Beth Carvalho, among others. Some of her hits are "Cheiro de Mato," "Condenados," "Onze Fitas," "Absinto," "Lápis de Cor," "Arco-Íris," "Faca," and "Flor-de-ir-embora," Fatima Guedes began to write poems at nine, and at 15, she taught herself the violão (acoustic guitar)....
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Prá Bom Entendedor, Fatima Guedes
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