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Supreme Clientele

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Editors’ Notes

Even amongst superlative talents like Gza and Raekwon (whose visceral storytelling laid the foundation for New York coke rap), Ghostface stands out as the Clan’s most consistently inventive and fearlessly experimental MC. Though Ghost had been hurling ferocious lyrical darts since his very first appearance on Enter the 36 Chambers, Supreme Clientele marked a significant change in his style. Breaking away from the assassin-like lyrical precision that he'd developed under the tutelage of Raekwon and mastered on Ironman, Ghost debuts a boldly impressionist style on Supreme Clientele, one that values sound over sense and incidental, intimately experienced details over coherent storytelling. Over a set of loose limbed, soulful beats laced by Rza’s disciples Tru Master, Mathematics, and a host of others, Ghost spits incomprehensible brilliance like, “Sunsplash, autograph blessin’ with your name slashed / Back draft, four-pounders screamin’ with the pearly hats”. But Supreme Clientele isn’t all inspired verbal chaos. Tracks like the archetypal Wu posse cut “Wu Banga 101” and the paranoid “Malcolm” ought to satisfy the most demanding Wu traditionalists, while elsewhere Ghost keeps his style deliciously abstract, his eyes firmly-fixed on Hip-Hop’s future.


Born: 09 May 1970 in Staten Island, NY

Genre: Hip-Hop/Rap

Years Active: '90s, '00s, '10s

As one of the original members of the seminal '90s rap crew the Wu-Tang Clan, Ghostface Killah (aka Tony Starks) made an impact before he released his debut album, Ironman, late in 1996. Like all members of the Wu-Tang Clan, the rapper used the group as a launching pad for a solo career, which was assisted greatly by other members of the Clan, particularly producer RZA. Ghostface Killah had rapped on Wu-Tang's 1993 debut, Enter the Wu-Tang, but he didn't distinguish himself until 1995, when he was...
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Supreme Clientele, Ghostface Killah
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