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Fuego en Mi Alma

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Album Review

Carlos Garnett made his biggest impact in the late '60s and 1970s, when his intense tenor playing was heard on recordings by Art Blakey, Miles Davis and Norman Connors. Garnett spent a lot of time off the scene in the 1980s but emerged in the '90s in fine form, if a bit more conservative. For this 1996 CD, Garnett is joined by pianist Carlton Holmes, bassist Brad Jones and drummer Shingo Okudaira, playing mostly originals (plus Freddie Hubbard's "Little Sunflower") that are spiritually linked to the music of the John Coltrane Quartet. Fortunately, the musicians do not attempt to sound like their predecessors; Garnett has an original tone of his own, and the improvising has its subtle surprises. Worth checking out.


Born: 01 December 1938 in Red Tank, Panama Canal Zone

Genre: Jazz

Years Active: '70s, '80s, '90s, '00s

An intense tenor soloist, Carlos Garnett seemed to largely disappear from jazz after the late '70s, but after a ten year sabbatical, he re-emerged playing better than ever. He grew up in Panama, started playing tenor in 1957, and early on performed calypso and Latin music. In 1962, Garnett moved to New York, working with rock groups and struggling a bit, but listening closely to the free jazz saxophonists. He gained some recognition for his work with Freddie Hubbard (1968-1969), Art Blakey's Jazz...
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Fuego en Mi Alma, Carlos Garnett
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