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Leftism

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Hailed as one of dance music's first major album-length statements, Leftism recalls the anything-goes spirit of the mid-'90s, when the UK's rave culture was opening up to new ideas. Trance-inducing tracks like "Black Flute" and "Space Shanty" paid tribute to long nights in muddy fields, but others—from the sci-fi chirps of "Release the Pressure" to the ambient synths and spoken word of "21st Century Poem"—had wider vistas in mind, including world-music accents and even a John Lydon cameo. Breakbeat-laced cuts ("Storm 3000"), meanwhile, introduced the world to a quintessentially British take on techno.

Biography

Formed: 1991 in London, England

Genre: Electronic

Years Active: '90s, '00s, '10s

The production team which brought house music back from the brink of commercial mediocrity, Leftfield made it safe for artistic producers to begin working in a new vein termed progressive house. Paul Daley (a former member of A Man Called Adam and the Brand New Heavies) and programmer Neil Barnes combined the classic soul of early Chicago and New York house with the growing Artificial Intelligence school of album-oriented techno to create classic, intelligent dance music. When legal hassles over...
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Leftism, Leftfield
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