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Niyaz

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Album Review

Niyaz is something of a miniature electro-worldbeat supergroup. Consisting of singer Azam Ali (of Vas), multi-instrumentalist Loga Ramin Torkian (of Axiom of Choice), and producer/remix artist Carmen Rizzo, the trio has a sound that centers on Ali's ethereal vocals and incorporates musical elements from Iran, Pakistan, India, Western Europe, the U.S., Turkey, and many other regions. Three of the songs on the band's eponymous debut album are based on the writings of the acclaimed Sufi mystic poet Jalaluddin Rumi; another is a setting of an Urdu poem by Sauda. But these ancient traditions are given settings that could have been created at no time but the present — while traditional instruments are used liberally throughout, everything is undergirded with up to the minute breakbeats, electric guitars, and synthesizers. The resulting sound isn't slick, but it's definitely complex and frequently highly danceable. Highlights include the bhangra-flavored "Allahi Allah" (on which Ali's singing is especially beautiful), the dark and funky "Golzar," and the slowly simmering "Dunya." One or two other tracks (notably a rather slight instrumental titled "Arezou") fail to match the intense beauty of this album's best moments, but then, this is the first release by Niyaz — the trio's next one should be even better.

Biography

Formed: 2004 in Los Angeles, CA

Genre: World

Years Active: '00s, '10s

Electronic world fusion group Niyaz were founded in Los Angeles in 2004 by Iranian refugees Azam Ali (formerly of Vas) and Loga Ramin Torkian (founder of Axiom of Choice), along with American producer/engineer Carmen Rizzo. Their self-titled 2005 debut album on Six Degrees Records introduced their sound combining Persian and Urdu lyrics derived from Sufi poetry with hypnotic electronic beats and traditional Middle Eastern and Indian instrumentation. Sophomore album Nine Heavens followed in 2008,...
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Niyaz, Niyaz
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