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Mexican Sessions Our Simple Sensational Sound

Up, Bustle & Out

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Album Review

It's very tempting to go out on a limb and say that during the mid-2000s Up, Bustle and Out are the most exciting dance music collective releasing music in any genre. No matter what genre or style they experiment with, they manage simultaneously to do honor to its traditions while also creating music that is undeniably their own. For their eighth album, they traveled to Monterrey, Mexico, and collaborated with the Control Machete hip-hop crew; the result is some kind of deliriously funky cumbia-hip-hop-reggae-dub fusion that simmers and bubbles with a constantly changing but consistently brilliant heat. Turntablism, dubwise sound effects, Latin percussion, rap en español, and Jamaican toasting are all woven through the fabric of this wonderful album, and there is literally not a single boring or even underwhelming track. Particular highlights include the turntable-fueled dancehall strut of "Mi Chat Latin," the smoky Spanish dub-hop flavor of "Genio del Dub," the swaying minimalist funk of "Tinto Tintero," and Kabanjak's Latin-reggae remix of "Corazón del León." It simply doesn't get much better than this.

Biography

Formed: 1993 in Bristol, England

Genre: Electronic

Years Active: '90s

With influences drawn from diverse sources all over the world — from Istanbul to Bolivia, Andalusia to North Africa — Up, Bustle and Out is one of the harder groups to pin down on the experimental breakbeat landscape. Hailing from the English town of Bristol, home also to Tricky and Massive Attack, Up, Bustle and Out comprises producers Rupert Mould and D. "Ein" Fell, who formed the group in the early '90s as an adjunct to their respective interests in non-Western musics, funk and soul,...
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Mexican Sessions Our Simple Sensational Sound, Up, Bustle & Out
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