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The Meltdown

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Album Review

While Jonny King's original influences were his mentor Mulgrew Miller and McCoy Tyner, he displays an increasingly individual voice on The Meltdown, both as a pianist and as a writer. All the songs on the date are his except Bud Powell's "So Sorry Please," and which is taken as a brief unaccompanied piano solo, and Tyner's "For Tomorrow," and the originals are often quite complex; check out the advanced vamp on "Lady Macbeth." The modal waltz "For Tomorrow" deserves to be covered by others, but several of the other pieces are also worth exploring by musicians looking to freshen up their repertoire. Fortunately, King picked out some very talented players for the date — flexible and skilled enough to make the music seem almost effortless. Steve Wilson on soprano and alto in particular is a major asset; tenorman David Sanchez gets in some good spots; trombonist Steve Davis is fine; the excellent rhythm section includes bassist Larry Grenadier, drummer Billy Drummond and percussionist Milton Cardona. A particularly strong effort.


Born: 02 February 1965 in New York, NY

Genre: Jazz

Years Active: '90s

A fine pianist who is quite literate (and even wrote What Jazz Is, a book on jazz that focused on the Young Lions), Jonny King has strong potential for the future. He started playing piano when he was nine (Earl Hines and Teddy Wilson were early influences) and within a few years as a teenager he was already playing some gigs in New York clubs. In the early 1980's he studied with Tony Aless and Mulgrew Miller, and had the opportunity to sit in with Art Blakey. Since then King has been closely associated...
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The Meltdown, Jonny King
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  • 9,99 €
  • Genres: Jazz, Music, Rock
  • Released: 1997

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