Minimal techno is considered a minimalist sub-genre of techno. It is characterized by a stripped-down aesthetic that exploits the use of repetition, and understated development.


This style of dance music production generally adheres to the motto less is more; a principle that has been previously utilized, to great effect, in architecture, design, visual art, and Western art music. The tradition of minimalist aesthetics in Western culture can be traced to the German Bauhaus movement (1919 to 1933).


In recent years, the genre has taken great influence from, to the point of merging with the microhouse genre. It has also fragmented into a great number of difficult to categorize subgenres, equally claimed by the minimal techno and microhouse tags.


Minimal techno has found mainstream club popularity since 2004 in such places as Germany, France, South Africa, The Netherlands, Spain, Italy, Ireland and the UK with DJs from a wide variety of genres incorporating differing elements of its tones.


By the second half of 2006, the term 'minimal' had in many ways become contradictory, as it serves as a denominator for the tech house sounds of the moment, many of which should rather be coined as 'maximal' in terms of their sonic content, in contrast to the original stripped down, i.e. minimalist electronic genre.




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