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For the final podcast of this season, Simon & Jack travel back to the Summer of ‘63, have the time of their lives & discuss hit chick flick, Dirty Dancing. Was Max Kellerman guilty of discrimination? Could his nephew Neil have fired Johnny for the stolen wallets? And was Baby’s admission about her mambo partner “all for nothing”? Don’t fret, listeners. We’ll return later in the year. But, in the meantime, please remember, nobody puts JB in a corner…

Does Anakin Skywalker meet the common law test of being an apprentice (agreement, training, duration of contract) in Star Wars, Attack of the Clones? Has the young Padawan received any training? And can Obi Wan expel Anakin from the Jedi Order like he could a normal Jedi? Lastly has Jack actually watched the film in the last week? (If you listen to the very end of this podcast, you will find your answer).

Is Andy’s sweater truly cerulean blue? Will you ever look at belts in the same way again? And is a grilled 8lbs Jarlsberg sandwich the best snack ever? Simon and Jack don’t actually answer any of these questions, but they do discuss the real demon in The Devil Wears Prada. And *spoiler alert* they bicker about Miranda Priestley’s management style…

For a Disney film (Zootropolis), this fairly packs an employment law punch. The team discuss sex discrimination, unilateral variations to contract and unconscious bias. Si tells a story about a surgeon. JB impersonates Officer Hopps. And Roman spoils the “Flash, Flash, Hundred Yard Dash” ending for everyone! (They also get the singing out the way within the first six seconds of this podcast)

If you’ve watched the film, Filth, in preparation for this week’s ELiYP podcast, then we apologise. Amongst other things, Simon and Jack discuss perceptive discrimination related to sexual orientation. If you’re easily shocked or have a nervous disposition, please don’t listen to this podcast (particularly not the last exchange when these two quote from the film)! All complaints to JB please.

This week, Simon, Jack and Roman discuss the 1992 film, The Bodyguard. Did Rachel Marron (Whitney Houston) successfully engage Frank Farmer (Kevin Costner) on a self-employed basis? Do the team score The Bodyguard as highly as they scored the previous films? And will Si avoid singing Queen of the Night/I Will Always Love You? (No, no, and thrice no).