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Skid Row

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Reseña de álbum

The material on Skid Row is mostly typical pop-metal fluff, but since Skid Row was one of the hardest bands to find commercial success during the hair metal fad, the songs sound angrier and more aggressive than the lyrics and hooks might indicate. Part of this is due simply to the musical talent in the band, and part of it is due to vocalist Sebastian Bach; his tendency to oversing actually gives some much-needed nasty attitude to most of the songs, and when the music does match those sentiments (i.e., "Youth Gone Wild"), the results fulfill, rather than merely hint at, Skid Row's potential. But the melodies and songwriting are pretty consistent throughout the album, even if they aren't as close to true heavy metal as they sound. The hit power ballads "18 and Life" and "I Remember You" are musically generic, but Bach's over the top delivery makes them guilty pleasures as well.

Reseñas de usuarios

18 and Life y I Remember You

son rolas muy buenas que hacen recordar buenos tiempos y momentos Skid Row es un grupo que no puedes dejar pasar por alto si eres generación 73 y te dices llamar contemporaneo del rock y sobretodo estas rolas

Skid Row

Excelente album, con muy buenas rolas, vale la pena tenerlo

Metal80

Lo mejor de skid row no dudes en comprarlo \m/

Biografía

Se formó en: 1986 en New Jersey

Género: Rock

Años de actividad: '80s, '90s, '00s, '10s

Skid Row were one of the very last hair metal bands to hit the mainstream before grunge took over in the early '90s. While the band's self-titled debut employed standard pop-metal riffs and generic lyrics (albeit to great commercial success), 1991's Slave to the Grind and 1995's Subhuman Race broke away from the pop-metal mold with uncharacteristically hard, thrashy guitars and unique songwriting techniques. Though personal differences and...
Biografía completa