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Thrash Zone

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Reseña de álbum

Although the opening title track is a celebration of life in the mosh pit, D.R.I.'s fifth album is pretty much straightforward metal with little of the band's hardcore punk roots in its unapologetically slick sound. That said, Thrash Zone is an immense improvement over its immediate predecessor, the weak and unfocused Four of a Kind. Kurt Brecht's yowling vocals and forgettable lyrics are largely downplayed in favor of showing off the band's best assets: Spike Cassidy's efficient punk metal guitar lines and the whiplash dynamics of bassist John Menor and drummer Felix Griffin, who handle the dips into slow, thudding mosh sections and curves into triple-speed overdrive with relative ease. Hardcore's late-'80s swerve into metal is still basically a lousy idea (one that most bands quickly abandoned after Nevermind hit the charts and metal was suddenly very much out of fashion again), but Thrash Zone is a better than average example of the form.

Reseñas de usuarios

El mejor

Es el mejor disco de la banda,
Después le sigue definition.

D.R.I ❤️

Amo este disco, es el mejor.


Se formó en: mayo de 1982 en Houston, TX

Género: Rock

Años de actividad: '80s, '90s, '00s, '10s

D.R.I. (aka Dirty Rotten Imbeciles) were one of the first bands to fuse hardcore punk with thrash metal, along with Suicidal Tendencies and Corrosion of Conformity. Starting off as a speedy, straight-ahead punk band, they gradually mixed more elements of heavy metal into their sound; as they did so, their songs got longer and featured more sections and more variety in tempo. D.R.I. managed the then-rare feat of crossing over to metal audiences while retaining their skatepunk and hardcore fan bases...
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Thrash Zone, D.R.I.
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