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Blues On the Bayou

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Reseña de álbum

B.B. King made his debut as producer with Blues on the Bayou, released in October 1998. He employs the most basic of ideas for this project: record an album of B.B. King tunes, with B.B. King's regular road band, under B.B. King's supervision. Keeping it loose, relaxed, and focused, King cut this album in four days down at a secluded studio in Louisiana and came up with one of his strongest, modern-day albums in many years. No duets, no special guests, just King and his road warrior band, playing his songs with him producing the results — no overdubs, just simple, no-nonsense blues done like he would do them on-stage. The result is a no-frills, straight-ahead session that shows that King might be have been 73 at the time of this date, but he still had plenty of gas left in the tank. Tracks like "I'll Survive," and the jumping "Shake It Up and Go," "Darlin' What Happened," the minor keyed "Blues Boy Tune," the instrumental "Blues We Like," and the closing "If That's It I Quit" show him stretching out in a way he has seldom done in a studio environment, and the result is one of his best albums in recent memory.

Biografía

Nacido(a): 16 de septiembre de 1925 en Indianola, MS

Género: Blues

Años de actividad: '40s, '50s, '60s, '70s, '80s, '90s, '00s, '10s

Universalmente aclamado como el rey del blues, B.B. King fue sin lugar a dudas el guitarrista eléctrico de blues más importante de la segunda mitad del siglo XX. Su manera de tocar la guitarra influenció a legiones de músicos, mientras que su expresiva voz era capaz de sacarle el máximo provecho a cualquier letra. Entre 1951 y 1985 King acumuló la impresionante cifra de 74 entradas en las listas de R&B de Billboard, y en 1970 tuvo incluso un éxito masivo con "The Thrill Is Gone", algo extremadamente...
Biografía completa