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Bestival Live 2011

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Reseña de álbum

The Cure could be found in a mix of holding pattern and seemingly constant activity in 2011, with an irregular series of world-wide performances of the band's first three albums and a slew of guest appearances and one-offs by Robert Smith on his own and with other performers standing in for either new or reissued albums. But there was also a one-off headlining performance at the Bestival in the U.K. that summer, resulting in the band's first official live album since the Show and Paris releases of 1993. Feeling more like a souvenir than anything else, it's above all a portrait of a band that has the knack of handling a career-spanning catalog down cold, something with both positive and negative sides to it. On the one hand, besides a thankfully clear mix that feels like a brisk soundboard recording, there's the treat of hearing a then-unique quartet lineup of Smith, Simon Gallup, and Jason Cooper matched with the then-recently returned Roger O'Donnell adding keyboards for the first time in some years. If it's not quite Seventeen Seconds all over again, performances of "Play for Today" and the inevitable "A Forest" do happily nod in that direction. Smith himself still sounds in astonishingly well-preserved voice, only occasionally stepping aside from some high notes while sounding as moodily powerful as ever on guitar — not to mention as half-understandable as ever on his occasional song introductions. On the other hand, Smith and company have been playing this kind of set for years upon years when it comes to general or festival audiences, emphasizing the big hits of the first 15 years of their career. Out of 32 songs, literally only three of them couldn't have appeared on either Show or Paris — happily one of them being the underrated "The Hungry Ghost" from 4:13 Dream — while the remainder of the selections leans much more toward the hits and singles than the album cuts, stalwarts like "Plainsong," "Push," and "Disintegration" aside. (Though the appearance of "The Caterpillar" is a fun surprise, having never been played for a full-on show by the band once since 1984.) Bestival Live 2011 is an understandably honest reflection of the Cure in the popular mind as their commercial high point recedes further into the past, but given Smith and the band's other contemporaneous activities, it's an incomplete portrait.

Reseñas de usuarios

Magnífico. The Cure Best...tival again

Tras el fallido intento de eliminar los teclados, en una etapa que caracterizó a The Cure por un sonido áspero e inadecuadamente guitarrero, The Cure retoma sus fundamentos con la incorporación de Roger O'Donnell, quien da una sensación atmósferica y congruente al sonido que caracterizó a los de británicos durante los mejores años de la banda.
Robert Smith, sacude los experimentos grises que legó la excesiva guitarra de Porl Thompson, y en Bestival 2011, suma una hermosa combinación de clásicos luminosos y oscuros, donde el factor común es la integración adecuada de cada instrumento, y la belleza no mutilada de la música que amancilló durante diferentes etapas de su carrera.
The Cure suena a The Cure en Bestival 2011. Se reaniman canciones como Plainsong, Just Like Heaven, o The Walk, (que sin teclados no sonaban a lo mismo), y se recuperan clásicos brillantes como The Caterpillar.
Un directo muy rescatable para The Cure y muy recomendado para los seguidores de esta fascinante alineación. Ahora sólo queda esperar el lanzamiento de los 'Reflections', un show de antología.

Uno de los mejores

Este en vivo es excelente; altamente recomendado :D

Ya era hora!!!!

Al fin un disco de The Cure es bueno ver que no han perdido el toque, coincido con el amigo que se queja de los guitarrasos excesivos de los ultimos discos aunque Porl es miembro clave de The Cure al igual que Boris que es el unico que falta para que sea la mejor alineación de the cure que ha habido! El repertorio esta muy bien tienen de mejor que han compuesto aunque a mi gusto faltaron Untitled, High, Mint Car Entre otras

Biografía

Se formó en: 1976 en Crawley, England

Género: Alternativa

Años de actividad: '70s, '80s, '90s, '00s, '10s

Out of all the bands that emerged in the immediate aftermath of punk rock in the late '70s, few were as enduring and popular as the Cure. Led through numerous incarnations by guitarist/vocalist Robert Smith (born April 21, 1959), the band became well-known for its slow, gloomy dirges and Smith's ghoulish appearance, a public image that often hid the diversity of the Cure's music. At the outset, the Cure played jagged, edgy pop songs before slowly evolving into a more textured outfit. As one of the...
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