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Reseña de álbum

If you're looking for attention, having your album mixed by Paul Roessler of the Screamers and Twisted Roots, and Geza X of late-'70s L.A. art punk band the Deadbeats (and later the Mommymen), and producer of early Germs, Dead Kennedys, Bags, Weirdos, and Black Flag, will do it. Racking up comparisons to Built to Spill and Modest Mouse is good, too. But the aforementioned seem to figure less in this second LP from the Melbourne, Florida fivesome than well-missed roots-rawker bands Creedence Clearwater Revival, Gun Club (singer Todd Portnowitz appealingly warble-howls in pitch's vicinity like the late Jeffrey Lee Pierce), Blood on the Saddle, BoDeans, Pontiac Brothers, Long Ryders, Libertines U.S., X, and others, with a side order of Bob Dylan ("To a Meteorite in a Museum"). If any of these bands piques your noodle, then CHS deserves your attention. ~ Jack Rabid, The Big Takeover, Rovi


Se formó en: 2004 en Melbourne, FL

Género: Rock

Años de actividad: '00s

With a sound and psyche that nearly defies definition, Melbourne, FL's Clock Hands Strangle first brought their unique blend of psych, rock, and poetry to the American underground in 2004. A mere three years later, Clock Hands found themselves with a debut album (Redshift/Blueshift) that won more than just a smattering of gushing reviews. Regional tours of their home nation followed, and in 2009 the Floridians returned with their Chocolate Lab follow-up, Distaccati....
Biografía completa
Distaccati, Clock Hands Strangle
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