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Hoy Como Ayer

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Reseña de álbum

If any group can honestly be described as a bridge between norteño/Tex-Mex and the romantic Latin pop of José José, Juan Gabriel, and Julio Iglesias, it is Conjunto Primavera. They aren't hardcore norteño purists in the way that los Rieleros del Norte, los Tigres del Norte, and los Huracanes del Norte are hardcore norteño purists, but they have always been masters of norteño light — masters of a style that successfully combines norteño's accordion and polka beat with the romantic sophistication of adult-oriented Latin pop. No one will mistake Hoy Como Ayer for a Grupo Exterminador album; with this 2004 release, Primavera continue to favor the smooth, sleek approach that they have long been known for. The tempos vary; Hoy Como Ayer ranges from up-tempo polkas ("No Cabe Duda," "No Hay Nada Completo") to medium-tempo offerings ("Desesperado") to ballads ("Muero" and the title track). But whatever the tempo, Hoy Como Ayer maintains a romantic outlook and is essentially a collection of Mexican adult contemporary. Arguably, Primavera is to Grupo Exterminador what Marc Anthony is to Rubén Blades. Like Blades in salsa, Exterminador deal with some edgy, challenging subject matter; their narcocorridos (corridos about drug trafficking) are every bit as biting as Blades and Willie Colon were on their late-'70s hit "Pedro Navaja" (which described the death of a hoodlum in a New York City barrio). But Primavera, like Anthony in the salsa romantica field, would rather comfort than challenge; Hoy Como Ayer is musical comfort food — and while the material isn't adventurous, it's always pleasant and likable. This CD isn't among Primavera's essential releases; casual listeners would be better off starting out with Fonovisa's best-of collection Dejando Huella. But longtime fans will find Hoy Como Ayer to be a decent, if predictable, addition to Primavera's sizable catalog.


Se formó en: 21 de marzo de 1978 en Ojinaga, Chihuahua, Mexico

Género: Música mexicana

Años de actividad: '70s, '80s, '90s, '00s, '10s

By the time Conjunto Primavera joined the roster of regional Mexican monolith Fonovisa Records in 1996, the romantically inclined sextet had already become one of the leading norteño acts of the day, and yet their popularity only continued to grow, as they began regularly topping the regional charts with their bottomless well of hits. As is typical of chihuahuense bands like Conjunto Primavera, they incorporate saxophone into their sound, and this sets them apart from norteño contemporaries like...
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Hoy Como Ayer, Conjunto Primavera
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