iTunes

Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de Iris de Cirque du Soleil, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

It's the iris of a camera that Cirque du Soleil has in mind in the title of a show staged at the Kodak Theatre in Los Angeles (where they hold the Academy Awards) and devoted to the movies. Appropriately, the organization has gone out and hired a prominent film composer to write the show's score, and it's hard to imagine a more complementary one than Danny Elfman, who is known for his zany, manic work for the visually imaginative and somewhat arch director Tim Burton. Given the Hollywood theme, it's no surprise that this is one of the less exotic scores done for a Cirque presentation; Elfman does lean toward the exotic slightly on "Snake Women," in a nod to cinema's more adventurous aspects, but this is far from world music. The show has a "history of the movies" theme that allows the composer to provide his versions of the kind of Keystone Kops comedy of the early silents, notably in the fast-paced "Kinki Film" cue. Elfman also dips into the big-band swing style of braying horns and pounding percussion here and there, including in "Buster's Big Opening" and "Movie Studio." But both of those cues are extended suites that feature several different sections so that, just as in a film score, Elfman is accompanying quickly changing visual action. Late in the show, the story has moved on into the 1930s and ‘40s with "Film Noir/Pursuit," and the music has mysterious and late-night jazzy elements, followed by "Rooftops," which provides identifiable chase rhythms. This is thus an unusual score for Cirque as the organization continues to expand its horizons and partner with established artists, blending its identity and providing a new outlet for a composer who has made his mark in Hollywood and whose music listeners will recognize in this stage extravaganza.

Reseñas de usuarios

MARAVILLOSO ESPECTACULO DE CDS

IRIS, el nuevo show permanente de CIRQUE DU SOLEIL en Los Ángeles es una obra maestra de esta gran compañía y parte del gran éxito de IRIS es definitivamente su música. Uno de los mejores shows mas nuevos del Soleil.

Lo mejor de Danny Elfman

Muchos hemos escuchado la participación de Danny Elfman con las películas de Tim Burton, sin embargo, esta vez compone un hermoso soundtrack para el nuevo show del Cirque Du Soleil: Iris. Esta composición hace volar la imaginación y es muy recomendable, con cada de las canciones sin la necesidad de ver el show ya te puedes crear tu propia historia. A mi parecer esta es una de las mejores creaciones de Danny Elfman

Cirque Du Soleil

Perfect <3

Biografía

Se formó en: Quebec, Canada

Género: Bandas sonoras

Años de actividad: '80s, '90s, '00s, '10s

Cirque du Soleil revolutionized the circus arts, transcending the traditional big-top approach of the past to spotlight elaborate sets, lavish costume, and original music. Founded in Quebec in 1984 by Guy Laliberté and Daniel Gauthier, the original group comprised local street performers; shunning animal acts to focus exclusively on human spectacles — stilt-walkers, jugglers, fire-eaters, and the like — the troupe quickly earned a following throughout Canada, eventually spreading across...
Biografía completa
Iris, Cirque du Soleil
Ver en iTunes

Valoraciones de clientes

Contemporáneos