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La Música No Se Toca

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Reseña de álbum

Like clockwork, Spanish superstar Alejandro Sanz has been releasing a new studio album every three years for the past fifteen. 2012's La Música No Se Toca is the successor to 2009's Paraíso Express, and it introduces one significant change in Sanz's career: namely that he changed records labels after spending more than 20 years with Warner Bros, ever since his 1990 solo debut Viviendo Deprisa. Sanz's switching allegiance to Universal may have to do with the fact that, in times of decreasing record sales and mounting competition at home from all those Operación Triunfo young alumni, his last two albums did not perform as well as expected. Perhaps for the same reason, this time around Sanz refrains from the genre experiments and high-profile duos of No Es Lo Mismo, El Tren de Los Momentos, or Paraíso Express, which included stabs at reggaeton, some political content, and guests such as Calle 13, Shakira, Alicia Keys, Juanes, Maná, or Carlos Baute. Instead, he prefers to play to his strengths and deliver a collection that makes sure to touch all the bases of his now patented singing and songwriting style. This includes plenty of romantic ballads ("Mi Marciana," "Para Decirle Adiós"), and midtempo numbers with a slight flamenco groove ("Me Sumerjo," "Camino de Rosas"), all armed with rousing choruses and defiantly sung in his trademark, rootsy Andalusian voice. Both leading singles "No Me Compares" (automatically nominated in two Latin Grammy categories upon its release) and "Se Vende" are good examples of Sanz's approach to La Música No Se Toca, but in truth, almost any song could have been chosen instead, as they are largely cut from the same cloth. The only exceptions are the few uptempo selections thrown in to stir things up, like the opener "La Música no Se Toca," which promises a different, more rebellious kind of album that never materializes; the snarling rock of "Llamando a la Mujer Acción," and the closer "Down," featuring American rapper Fat Joe. Production by Colombian Julio Reyes is typically immaculate, but overall, La Música No Se Toca is ultimately an album that will not make people change their minds about Alejandro Sanz: those who find his songs inspiring will find much to like, and those who reckon his writing and arrangements are a tad trite will do better to stay away. The formula, however, still seems to work, as La Música No Se Toca debuted at the top of the charts in Spain and several other countries worldwide, quickly reaching double platinum status.

Reseñas de usuarios

Genaro guzman

Una mezcla de maderas y de buen son, como siempre y ahora la música no se toca, se siente, se escucha y se vive


Vuelve, con un muy excelente disco… Camino De Rosas, Cómo Decir Sin Andar Diciendo, Bailo Con Vos, Me Sumerjo (3er sencillo) de las mejores del disco… Si piensas comprarlo, hazlo mejor en CD, mucho más recomendable…


Por que??? por que?? por que????? por que Televisa tuvo que fregar la existencia de este maravilloso primer single haciéndolo tema de la porqueria esa de telenovela.
Bien Sanz! pero a la otra, no permitas que tu disquera preste tus temas para Televisa.


Nacido(a): 18 de diciembre de 1968 en Madrid, Spain

Género: Pop en español

Años de actividad: '80s, '90s, '00s, '10s

The most commercially successful Spanish singer of all time, Alejandro Sanz earned a reputation as an industrious hitmaker in his native country during the 1990s, and by the decade's end, he'd expanded his fan base internationally, broadening his style beyond romantic ballads and collaborating with fellow Latin superstars, most memorably Shakira. A talented songwriter with handsome looks, Sanz proved immensely popular even with his debut album, 1991's Viviendo de Prisa, which was a number one hit...
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