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Villa Elaine

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Reseña de álbum

According to your parents, you are only as good as the company you keep. So it bears mentioning that it didn't take long for Remy Zero's ambiguous acoustica to find a home in the ears of Radiohead as well as — to a much, much lesser extent — Travis and Sting. No wonder. Situated against the youthful excesses of the British indie contingent or the shy "roots"-obsessed American underground, Villa Elaine shows the band off as duty-bound traditionalists. The doo wop dollop "Hollow" folds over your backside like a cozy blanket, with a march-like drumbeat and August Cinjun Tate's best Thom Yorke karaoke impersonation. These songs echo a newly discovered idea for soft acoustic "rock" tunes. This is certainly true of "Gramarye" or the grumbling on "Wither Vulcan." "Motorcycle" mixes some sensual, shackled, A Storm in Heaven-style guitar with a trickling (almost country) vocal. "Goodbye Little World" is a spry Beatlesque drill of strumming chords and homely reunion.

Biografía

Género: Rock

Años de actividad: '90s, '00s

Birmingham, AL-based Remy Zero dared to be moody and poetic when most American alternative rock had become overly aggressive and juvenile. Consisting of childhood friends Cinjun Tate (vocals, guitar), Cedric Lemoyne (bass), Jeffrey Cain (guitar), Shelby Tate (guitar, keyboards), and Gregory Slay (drums), Remy Zero was merely a group of schoolboys recording homemade tapes. In the mid-'90s, the band sent a demo to community radio station KCRW in Santa Monica, CA. It attracted the attention of Geffen...
Biografía completa
Villa Elaine, Remy Zero
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