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The Bravery

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Reseña de álbum

The Bravery's self-titled debut is a slick twist on '80s new wave and post-millennium modern rock. Those who've followed the Killers, stellastarr*, and the like will surely pounce on the Bravery's luscious synth-driven pop. The 11-song set, produced by the band's frontman, Sam Endicott, is playful and confident, unlike the stressful production of the Killers' Hot Fuss. Sure, obvious influences (Duran Duran, the Smiths, the Cure) carry the weight of this album, but it's without haste. An overcast backdrop dresses the trashy hints of love and desire, and cocksure moments such as "Public Service Announcement" and "No Brakes" showcase the Bravery's swagger with style. Endicott goes from sounding like a Robert Smith copycat ("Tyrant") to a dirtier Julian Casablancas ("Out of Line") and maintains a focused, fashionable dance sound. "Unconditional" soars with a sly guitar/keyboard two-step while "An Honest Mistake" saunters like classic New Order with its dark-hued mechanical energy. The Bravery isn't sonically mind-blowing, but the new millennium new wave revival remains intriguing. This New York five-piece makes an interesting effort without it coming off contrived and dishonest. Get ready to shake your hips!

Reseñas de usuarios


Este disco tiene rolas excelentes, es un clásico del rock revival :)


Se formó en: 2003 en New York, NY

Género: Alternativa

Años de actividad: '00s

Formed during the height of New York City's post-punk revival in 2003, the Bravery took equal influence from dance music and stylish indie rock. Comprising Sam Endicott (vocals/guitar), John Conway (keyboards), Anthony Burulcich (drums), Michael Zakarin (guitar), and Mike H. (bass), the band got its start in early 2003, several years after Vassar College classmates Conway and Endicott (formerly of the Pasties) performed in the collegiate ska outfit Skabba the Hut. After relocating to the Big Apple,...
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The Bravery, The Bravery
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