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Perfect Symmetry


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Reseña de álbum

Keane bids adieu to balladry and ushers in a different style — '80s pop — with Perfect Symmetry. While the album isn't solely devoted to exploring that new genre, it's certainly the focus, and "Spiralling" appropriately kickstarts the set with whooping vocals and retro synthesizers. "When we fall in love," sings Tom Chaplin in his stadium-sized voice, "we're just falling in love with ourselves." Coming from the same mouth that once crooned the earnest strains of "Somewhere Only We Know," those lyrics are wholly different — a sign that four years spent in the shadow of U2, Coldplay, and other like-minded bands have convinced Keane to make their own Achtung Baby. Of course, that album saw U2 turning sonic experimentation into something entirely inventive, which Perfect Symmetry doesn't quite accomplish with its own mixture. This isn't quite art, after all; it's mostly just fun, shot through with a self-consciously cheesy approach that's engineered to sound little like the department-store rock of 2004's Hopes and Fears.

"Fun" seems to be at the top of the band's agenda, though, and Perfect Symmetry succeeds in doing away with most of the pre-conceived notions that accompany Keane records. The "old" sound doesn't even surface until midway through the album, when the album's title track offers up a combination of sparse piano notes (later giving way to dense, double-fisted arpeggios) and a meteoric chorus. But that's the exception, not the rule, and Perfect Symmetry sounds more comfortable during its truly unexpected moments: the spacy blips and bleeps of "You Haven't Told Me Anything," the synthesized anthem "Again and Again," and the energetic "Wooooooh!" that opens the entire album. The band's biggest strength remains Chaplin's ability to turn a melodic phrase with grace and dexterity, which fails to lose its vitality no matter the musical context, but Keane's willingness to take these left-hand turns deserves its own share of applause.

Reseñas de usuarios

Gran album

Cuando se descubre este grupo, después de oír varias veces su trabajo, uno se da cuenta de porqué Peter Gabriel los llamó como abridores en su gira. Si bien los dos discos anteriores, "Hopes and Fears" y "Under the Iron Sea" son maravillosos, este nuevo disco es simplemente excelente. Completito. Un disco perfectamente articulado, maduro e integrado. De los mejores grupos nuevos que se han escuchado en mucho tiempo. Vale la pena dedicarle un tiempo para verdaderamente disfrutarlo.


Esta bien si te gusta keane este disco es diferente a los otros 2 ke ya sakaron pero es bueno

Simplemente una chingoneria

Este grupo es de lo mejor que se puede escuchar ya sea este o sus dos álbum anteriores muy buena cada rola & con gran mensaje..grupo que descubrí gracias a un gran relato Nicolás :)


Se formó en: 1997 en East Battle, Sussex, England

Género: Alternativa

Años de actividad: '90s, '00s, '10s

Keane's piano-driven pop/rock is created by vocalist Tom Chaplin, drummer Richard Hughes, and pianist Tim Rice-Oxley, three childhood friends from the small town of Battle in East Sussex, England. Formed in 1997, the group started out as a college-aged cover band. Guitarist Dominic Scott was also part of this early incarnation, having previously played cover songs with Hughes and Rice-Oxley in a band named the Lotus Eaters. Keane toured the East Sussex circuit for several years while internalizing...
Biografía completa
Perfect Symmetry, Keane
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