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Enquanto o Mundo Gira

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Reseña de álbum

As suggested by the clenched fist on the album cover, this time around Cidade Negra aims at producing something more than the bland, mainstream reggae sound that dominated the band's previous releases. On this album, the sound is less polished and slightly more powerful than usual, with the guitar and percussion given a more prominent role than before. On songs like "Favela" and "A Voz Do Excluído," the lyrics also contain a political message, touching the problems of Brazil's lower class. On some tracks, Cidade Negra even abandons its trademark reggae style for other music styles, as for example on the bossa-inspired "Cantando Na Rua" and the guitar and percussion-driven title track, "Enquanto O Mundo Gira." Although the reggae beat and the ultra smooth voice of singer Toni Garrido still prevail on Enquanto, it is without doubt Cidade Negra's most ambitious album, both musically and lyrically, up to this point in the band's career. ~ Philip Jandovský, Rovi


Género: Brasileña

Años de actividad: '90s, '00s

Brought by his parents (who played and sung) to a local church in the violent suburban region of the Baixada Fluminense (Rio), Bino became friends with Lazão and Da Gama, forming the Novo Tempo group with them especially to play in a church festival. In 1983, Bernardo joined the group, which became Lumiar. Influenced by Bob Marley, Tim Maia, and '70s funk and soul music, the group performed for the first time with this style, developed in 1989, at the Teatro Arcádia and at the Baixada. After that...
Biografía completa
Enquanto o Mundo Gira, Cidade Negra
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