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The Private Press

DJ Shadow

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Reseña de álbum

Five years on from his breakout Endtroducing..., hip-hop's reigning recluse showed he still had plenty of tricks up his sleeve — as well as many more rare grooves left for sampling. Shadow had kept a low recording profile during past years, putting out only a few mix sets alongside a pair of collaborations (Psyence Fiction by UNKLE and Quannum Spectrum). That lack of product actually helps The Private Press display just how good a producer he is; the depth of his production sense and the breadth of his stylistic palette prove just as astonishing the second time out. His style is definitely still recognizable, right from the start; "Fixed Income" and "Giving Up the Ghost" carefully layer wistful-sounding string arrangements overtop cavernous David Axelrod breaks (the latter a bit reminiscent of "Midnight in a Perfect World" from Endtroducing...). From there, though, DJ Shadow seldom treads the same path twice, switching from strutting disco breaks ("Walkie Talkie") to melancholy '60s pop that sounds like the second coming of Procol Harum ("Six Days"). "Right Thing/GDMFSOB" is pure breakers revenge, boasting accelerating, echoey electro breakbeats and enough confidence to recycle Leonard Nimoy's "pure energy" sample and make it work. Later, Shadow turns to pure aggro for the hilarious road-rage comedy of "Mashin' on the Motorway" (with Lateef the Truth Speaker behind the wheel), then summons the conceptual calm of a David Axelrod classic on the very next track with solo piano and a vocal repeating Bible text. Fans may have grown impatient waiting almost six years for the second DJ Shadow LP, but a classic like The Private Press, Rovi

Biografía

Nacido(a): 1972 en San Jose, CA

Género: Electrónica

Años de actividad: '90s, '00s, '10s

DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin finds. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo'...
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The Private Press, DJ Shadow
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