Iniciando iTunes Store.Si iTunes no se inicia, haz clic en el icono de la aplicación iTunes en el Dock de Mac o en el escritorio de Windows.Progress Indicator
Abriendo el iBooks Store.Si iBooks no se abre, haz clic en la app iBooks del Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

No encontramos iTunes en este ordenador. Para usar vista previa y comprar música de Snuffbox Immanence de Ghost, descarga iTunes ya.

¿Ya tienes iTunes? Haz clic en Ya tengo iTunes, para que sea activado.

I Have iTunes Descarga gratis
iTunes para Mac y PC

Snuffbox Immanence

Abre iTunes para escuchar un fragmento, comprar y descargar música.

Reseña de álbum

With a slightly reshuffled lineup, Ogino now clearly became Batoh's chief collaborator, while new percussionist Setsuko Furuya accompanied the returning Kurihara, cellist Hiromichi Sakamoto, and two brass players for Snuffbox, another striking, beautiful Ghost album. With its sense of fusion firmly grasped, able to slide from trumpet and flute-accompanied folk on the opening "Regenesis" to the initially acoustic then ragingly electric "Sad Shakers," Ghost achieved levels of inspiration that easily equaled many of Batoh's original role models. One of those early sources gets saluted in a sharp way — the Rolling Stones' "Live with Me" gets a piano/vibe-heavy remake here, with Furuya getting to showcase his abilities in particular. Another neo-psych masterpiece is the title track — Batoh's truly cool, spaced-out lyric gets backed perfectly by Ogino's harpsichord, his own acoustic and crunching electric guitar work, and plenty of production effects and tweaking for effect. The at-times underrated sense of playfulness which crops up in Ghost's work gets some airing here. "Soma" ends by shifting from a gentler flow to a quicker ending led by Batoh's banjo, while "Fukeiga" has similar fun with the vibes and Batoh's electric soloing offset against his clear acoustic work. Still, though, it's the sense of spiritual power and mantra-based music and performance that comes through the strongest on Snuffbox, a mostly calm and understated affair for its length. The fine instrumental "Daggma," with Ogino and Furuya's combination of keyboard and percussion instruments backed by Sakamoto's cello, is at once melancholic and uplifting. Batoh also clearly feels thoroughly comfortable with switching between his native tongue and English, splitting the amount sung in each language down the middle. "Hanmiyau" closes Snuffbox with a flourish, piano, guitar reverb, and more, Batoh's serene lyrics echoing up from the depths.


Se formó en: 1988 en Tokyo, Japan

Género: Alternativa

Años de actividad: '80s, '90s, '00s

A collective of psychedelic-minded Japanese musicians headed by guitarist Masaki Batoh, Ghost records commune-minded free-range psychedelia with equal debts to the Can/Amon Düül axis of Krautrock, as well as West Coast psych units like Blue Cheer and Jefferson Airplane. Batoh grew up in Kyoto, where he attended a private school well-geared to spark his interest in rock music, from Dylan and Pink Floyd to the Velvet Underground. Later, he formed Ghost with a large and varying lineup, centered around...
Biografía completa
Snuffbox Immanence, Ghost
Ver en iTunes

Valoraciones de clientes

No hemos recibido suficientes valoraciones para poder mostrar un promedio de este artículo.

Los más influyentes

Con influencia de este artista