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Following the success of their earlier collaboration, Mal Waldron and George Haslam continue with a sly collection of standards and originals. As before, there is a remarkable telepathy between the players, which translates to some delightful interaction between these two masters. Haslam must be one of the most underrated players on saxophone. Here, he shows a strong command of both the baritone and soprano saxophones, as well as the taragato, which he blows on "From Charleston 'til Now." Waldron picks every note as though it is his last, his mastery of the keyboard incorporating the history of the modern tradition from Monk to beyond. His essentially lyrical approach makes him a favorite of players like Steve Lacy and George Haslam, both of whom appreciate the sophisticated mix of modern harmony and melodic invention.


Nacido(a): 16 de agosto de 1926 en New York, NY

Género: Jazz

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s

A pianist with a brooding, rhythmic, introverted style, Mal Waldron's playing has long been flexible enough to fit into both hard bop and freer settings. Influenced by Thelonious Monk's use of space, Waldron has had his own distinctive chord voicings nearly from the start. Early on, Waldron played jazz on alto and classical music on piano, but he switched permanently to jazz piano while at Queens College. He freelanced around New York in the early '50s with Ike Quebec (for whom he made his recording...
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Two New, Mal Waldron
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  • $120.00
  • Géneros: Jazz, Música
  • Publicado: 02/04/1995

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