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The Revival

Tony! Toni! Toné!

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Reseña de álbum

One of the more distinctive R&B groups of the late '80s and early '90s, Tony! Toni! Toné! managed to appeal to urban contemporary audiences while expressing a love of 1970s soul and funk. As high-tech as things get on its sophomore effort, The Revival, the Oakland trio never fails to sound organic and soulful. Funk smokers like "The Blues," "Oakland Stroke," "Let's Have a Good Time," and "Feels Good" (a major hit) may use technology extensively, but the soulsters always sound like they're in control of the technology (as opposed to it controlling them). Drawing on influences ranging from Digital Underground to Sly & the Family Stone, Parliament/Funkadelic, and Prince, Tony! clearly like their funk down and dirty. And yet, the group sounds equally inspired on such laid-back and mellow slow jams as "I Care" and the hit "It Never Rains in Southern California." Many of the urban contemporary releases of 1990 were gutless and homogenized, but The Revival is an album that had artistic integrity as well as commercial appeal.

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Se formó en: 1987 en Oakland, CA

Género: R&B/Soul

Años de actividad: '80s, '90s, '00s, '10s

Brothers Dwayne and Raphael Wiggins and cousin Timothy Christian have proven themselves durable guardians of the soul and funk tradition, while also infusing their music with enough contemporary devices to remain popular. This Oakland trio scored a number one R&B hit right out of the box in 1988 with "Little Walter," a song that generated some criticism from gospel audiences for its use of the melody from "Wade in the Water." But they've since been able to keep things going on their own, as their...
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The Revival, Tony! Toni! Toné!
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