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The Tracks of Tyler Hilton

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Reseña de álbum

The Tracks of Tyler Hilton is the kind of major-label pop debut that's not heard much in 2004 — an album that has its eye on middle-American middle of the road, appealing equally to pre-teens and housewives without condescending to either. Hilton isn't a teen-pop idol, nor is he a crooner. He's an unabashed mainstream pop singer/songwriter, blessed with good looks, a lightly husky and appealing voice, a good ear and a knack for pleasing MOR mature pop. It's a sound that would have had found a greater audience in the first Bush administration rather than the second, but that doesn't mean that it sounds dated — it just means that there are few venues for this kind of well-crafted, highly-polished ear candy in 2004 than there was in 1990, when Richard Marx was a star and Curtis Stigers was an up-n-comer. Hilton is in their league — a good songwriter, a good singer, creating music that's unapologetically designed for the Top 40. Unfortunately, that Top 40 doesn't quite exist anymore, but those that long for a time when pop music wasn't hip or hip-hop, this will satisfy them quite nicely.


Género: Pop

Años de actividad: '90s, '00s

Singer and songwriter Tyler Hilton started in music early, the product of a musical family that kept him curious about playing guitar, singing, and performing. By seventeen he was writing his own songs, and had become an open mic fixture in his hometown of Palm Springs, California. In 2000 Hilton wrote, recorded and released an eponymous debut and began to shop it, but it was a chance opportunity that brought his talent to the record execs' attention. That same year an impromptu performance over...
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The Tracks of Tyler Hilton, Tyler Hilton
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