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Touching

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Reseña de álbum

With the exception of a lengthy version of "Blood" (which is from a year later and has bassist Mark Levinson), this Paul Bley reissue CD features the pianist with bassist Ken Carter and drummer Barry Altschul in 1965. "Pablo" is a free improvisation but otherwise the compositions (by Bley, his wife at the time Carla Bley and Annette Peacock) contrast thoughtful moments with fiery group interaction. Although not all that memorable, the playing by the trio is at a high level and it is interesting to hear Paul Bley's mid-'60s avant-garde improvising style which offered a contrast to the more dense playing of Cecil Taylor.

Biografía

Nacido(a): 10 de noviembre de 1932 en Montreal, Quebec, Canada

Género: Jazz

Años de actividad: '50s, '60s, '70s, '80s, '90s, '00s, '10s

Pianist Paul Bley, whose earliest recordings sound like Al Haig or Bud Powell, took the styles and techniques associated with Oscar Peterson, Wynton Kelly and Bill Evans to new levels of creative experimentation, becoming an indispensable force in modern music by combining the best elements in bop and early modern jazz with extended free improvisation and procedural dynamics often found in 20th century chamber music. This approach places him in league with artists as diverse as Red Garland, Elmo...
Biografía completa
Touching, Paul Bley
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