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Two from the Vault

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Reseña de álbum

As the title implies, this was the second complete show to be issued from the Grateful Dead's tape vaults. In contradiction of the "technical information" liner notes essay, this release was derived entirely from the second night of a two-night run (August 23 and 24, 1968) at the Shrine Theater in Los Angeles. These performances were documented using what was then a state-of-the-art multi-track machine provided (and administered) by the Dead's record company, Warner Brothers. After being shelved for nearly two-and-a-half decades, the band's longtime sonic gurus Dan Healy and Jeffrey Norman digitally reconstructed and released this aurally accurate and musically motivated performance. The set list is fairly typical of the band's mid-1968 repertoire. Having just issued their second platter, Anthem of the Sun, a month earlier, the Dead were concentrating fairly heavily on material from that disc — including most of the first side. The extended "That's It for the Other One" suite is executed with the acidic fury associated with this era of the Grateful Dead. The band is also looking forward to their upcoming projects. These include Aoxomoxa — their next studio effort — which contains "Saint Stephen." However, the track appears in the context of their 1969 release, Live/Dead, linked with "Dark Star" on one side and "The Eleven" on the other. (Also from the genre-defining double-LP set is "Death Don't Have No Mercy" and "(Turn On Your) Lovelight"). The developmental stage of these tunes is nothing short of aurally palpable. The band is able to achieve — if not arguably surpass — much of the same energy that drove the versions which became indelibly stamped into the psyche of the counterculture, as well as Deadheads world wide. Two from the Vault is a fun ride, as well as a glimpse into the immense improvisational talents of the Grateful Dead in the late '60s.


Se formó en: 1965 en San Francisco, CA

Género: Rock

Años de actividad: '60s, '70s, '80s, '90s

La travesía más larga y extraña del rock, The Grateful Dead fueron los embajadores más amados de la era psicodélica, así como sus más duraderos sobrevivientes, que difundieron su mensaje de paz, amor y expansión mental en todo el mundo a lo largo de la mayor parte de tres décadas. Objeto de adoración de los fans más fervientes y celebrados de la música popular – los Deadheads, cuya cantidad y devoción son legendarios por derecho propio– fueron la banda de culto primordial, que creó un universo a...
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