New Books in Performing Arts Marshall Poe

Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.
The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.
In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.
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What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research? 
Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human (Oxford UP, 2024) is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer. Author Miriam Piilonen argues for the significance of this Victorian music-evolutionism in light of its ties to a recently revitalized subfield of evolutionary musicology. Taking an interdisciplinary approach to music theorizing, Piilonen explores how historical thinkers constructed music in evolutionist terms and argues for an updated understanding of music as an especially fraught area of evolutionary thought.
In this book, Piilonen delves into how historical evolutionists, in particular Darwin and Spencer, developed and applied a concept of music that served as a boundary-drawing device, used to trace or obscure the conceptual borders between human and animal. She takes as primary texts the early evolutionary treatises that double as theoretical accounts of music's origins. For Darwin, music served as a kind of proto-language common to humans and animals alike; he heard the songs of birds and the chirps of mice as musical, as articulated in texts such as The Descent of Man (1871) and The Expression of the Emotions in Man and Animals (1872). Spencer, on the other hand, viewed music as a specifically human stage of evolutionary advance, beyond language acquisition, as outlined in his essay, "The Origin and Function of Music" (1857). These competing views established radically different perspectives on the origin and function of music in human cultural expression, while at the same time being mutually constitutive of one another.
A ground-breaking contribution to music theory and histories of science, Theorizing Music Evolution turns to music evolution with an eye toward disrupting and intervening in these questions as they recur in the present.”
Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).
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From the theatre mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity.
Even as they conceal and protect, masks – as faces – are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicised, in Mask (Bloomsbury, 2024) Dr. Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object.
By exploring who we do (and do not) seek to protect through different forms of masking, Dr. Pearl's long history of masks helps us to better understand what it is we value.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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How is comedy hostile to women? In Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities (Bloomsbury, 2023), Ellie Tomsett, a Senior Lecturer in media and film at Birmingham City University, explores the reality of a comedy industry that, despite many changes, still has a sexism problem. The book draws on a huge range of research materials, illustrating the experience of stand-up comic performers, the views of audiences, the impact of digital and social media, and the content of stand-up’s routines. Offering both a rich history of stand-up in the UK, alongside a wealth of contemporary reflections, the book will be essential reading across arts, humanities and media studies, as well as for anyone interested in how comedy can be open to anyone who wants to make people laugh.
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This is a story of four composers whose careers, lives and loves as women working in 20th century Britain have since been largely forgotten.
Dr Leah Broad’s 2023 debut Quartet: How Four Women Changed the Musical World (Faber & Faber, 2023), reveals the life and music of some of Britain’s most exciting 20th-century composers. A musicologist who gravitates towards figures at the margins of Western Art Music, the four subjects of Broad’s biography (Ethel Smyth, Rebecca Clarke, Doreen Carwithen and Dorothy Howell) experience success, even fame, before being pushed to the periphery. They compose operas, film music, songs and sonatas, encounter the Second Viennese School and fashion early freelance instrumental careers. Broad’s narrative begins in 1858 with the birth of Ethel Smyth. She charts two world wars, the development of post-war British institutions such as the BBC and the Arts Council of Great Britain, and brings us all the way to Doreen Carwithen’s death in 2003. In this time, the four composers take on the diverse politics of suffragette militancy, 60’s American liberalism and a staunch British-Catholic conservatism. Through grouping such diverse personalities, Broad refuses the tendency to isolate women as historical anomalies or singular figures. Her fluent prose expertly interweaves their lives, whilst revealing a true diversity of music, thought and experience.
Joseph Edwards is a writer and violinist based in London. His current research looks at the importance of sound in chronic illness experience. Contact him via email at joseph8edwards@gmail.com or through Twitter @joseph8edwards.
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Within the social sciences and the humanities, international research in Burma/Myanmar studies tends to lean toward political science and Buddhist studies, or what can be characterized as the “soldiers or monks” approach. The political situation within the country has restricted the access that foreign researchers have had to the country. It has also shaped the type of research that international scholars choose to research and that grant agencies are willing to fund. As a result of this our understanding of Burmese society and culture is comparatively weak.
Jane Ferguson has tried to tackle this problem in her highly original study of the Burmese film industry. Her book, Silver Screens and Golden Dreams: A Social History of Burmese Cinema (University of Hawai’i Press, 2024) paints a very different picture of Burma to the one we are used to. The book depicts Burma as an outwardly oriented, internationally connected place, with a vibrant and creative movie industry, talented film directors, packed cinemas, glamorous movie stars, and even a Burmese version of the Academic Awards.
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