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The Dirtchamber Sessions, Vol. 1

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Albumrecensie

As though he wasn't the feature player on each of the three Prodigy albums preceding it, The Dirtchamber Sessions presents Liam Howlett in a solo setting. But here, instead of showing off his production wizardry, his long history as a DJ and mixing abilities are on display. They're proved more than up to the task, as Howlett plays mix and match with over 50 records from his hip-hop and funk past. While the Chemical Brothers' mix album (released the year before) showcased the duo digging deep in their record crates for a set of soul chestnuts and rare finds, Howlett's selection and feel for the flow of a mix is superior. Including tracks by the JB's, Herbie Hancock, the 45 King, L.L. Cool J, the Sex Pistols, and Jane's Addiction, Howlett chooses grooves familiar to all and improvises around them (as any old-school DJ would think obvious) instead of mixing between two tracks few have ever heard. The result is an enlightening, practically flawless mix album.

Biografie

Gevormd: 1990 op Braintree, England

Genre: Elektronisch

Jaren actief: '90s, '00s, '10s

The Prodigy navigated the high wire, balancing artistic merit and mainstream visibility with more flair than any electronica act of the 1990s. Ably defeating the image-unconscious attitude of most electronic artists in favor of a focus on nominal frontman Keith Flint, the group crossed over to the mainstream of pop music with an incendiary live experience that approximated the original atmosphere of the British rave scene even while leaning uncomfortably close to arena rock showmanship and punk theatrics....
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