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En Vívo en la Argentina

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Albumrecensie

This is Argentinean roots music at its best (and no, not a tango in sight). Raúl Barboza, who now lives in France, recorded this on a return to his homeland in 2001, and though it's taken a few years to see the light of day, the wait hasn't deadened its impact at all. Now in his sixties, he's still a master of the bandoneon, and his playing hasn't lost an ounce whether he's performing a milonga or a chamame, several of which come from his own pen. Backed by a superb ensemble of guitar, percussion, bass and harp, he shines throughout, never more than on the final cut, "La Colonia,"which also features a younger master of chamame music, Chango Spasiuk. Add guitarist and singer Leon Geico, who graces a couple of tracks, and you have an almost definitive package of Barboza, who can move from fire to ache in a heartbeat, and move the audience along with him. [En Vivo en la Argentina was also released in a DVD version.]

Biografie

Genre: Raíces

Jaren actief: '50s

The musical traditions of the Guyani Indians of northeastern Argentina served as the training ground for Buenos Aires-born accordionist Raúl Barboza, but his music reflects a more-global view. A unique mix of Indian, European, and African influences, Barboza's tunes incorporate everything from tangos, mazurkas, and waltzes to natural sounds of the environment and wildlife. The recipient of a Konex Prize as one of the five Best Figures in the History of Argentinean Popular Music, in 1985, Barboza...
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En Vívo en la Argentina, Raúl Barboza
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