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The Gulag Orkestar

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Albumrecensie

The best album to come out of Albuquerque since the Shins decamped for the Pacific Northwest, the debut album by Beirut (aka New Mexico-born 19-year-old singer/songwriter Zach Condon) bears an immediate resemblance both to Denver's DeVotchKa and the current passions of the Athens, GA, crowd formerly associated with the Elephant 6 stable. Like DeVotchKa, Condon is heavily influenced by Eastern European folk music and, to a lesser extent, the mariachi trumpets and Latin rhythms of the desert Southwest: the songs on Gulag Orkestar are lousy with mandolins and similarly plinky members of the string instrument family, accordions, horns, and hand percussion clearly played with dramatic in-studio arm flourishes. But like the Athens folks (some of whom appear here in a supporting role, most notably A Hawk and a Hacksaw's Jeremy Barnes), Condon isn't interested in mere approximations of traditional forms. Condon and friends use the folk instruments primarily as really cool-sounding textures, exotic backdrops for Condon's melodic indie folk tunes and impressionistic lyrics. The lyrics, it must be said, are the album's most obvious flaw, clearly the work of a young, romantically inclined teen who has never been to Europe but has seen a lot of foreign art films about, like, Gypsies 'n' stuff. Ignore the clunky lyrics — easy enough to do since Condon is an unexpectedly appealing singer with a rich, mellifluous voice that, no kidding, recalls the great bel canto crooners of the pre-rock era (along with a little Nick Cave) — and Gulag Orkestar is an infinitely more appealing album.

Recensies van klanten

Geweldig!

Ik hou erg van de stijl van Beirut het is heel verschillend er zitten heel veel verschillende stijlen in verwerkt. Vaak erg vrolijk. maar soms door de zangers stem toch verdrietig. Top dus.

Biografie

Gevormd: 2006 op New York, NY [Brooklyn]

Genre: Alternatief

Jaren actief: '00s, '10s

One of 2006's most unexpected indie success stories, Beirut combines a wide variety of styles, from pre-rock/pop music and Eastern European Gypsy styles to the alternately plaintive and whimsical indie folk of the Decemberists to the lo-fi, homemade psychedelic experimentation of Neutral Milk Hotel. At the heart of this sonic hybrid was a teenager from Albuquerque, New Mexico, a fact that made Beirut's debut album, Gulag Orkestar, all the more surprising. Something of a musical prodigy, multi-instrumentalist...
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