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The back of the CD describes this as "echoes of tango, pygmy chants, township jive, gagaku but file under jazz for the solos." Firmly entrenched in the avant-garde, this is a reissue compilation from two earlier recordings released in Germany. Several of the tracks feature versatile saxophonist Gerhard Ullman overdubbed up to sixteen times in duo with accordionist Hans Hassler, while six reeds are added for the other cuts. The most interesting piece is the reworking of "Mack the Knife," which alone is worth the price of the CD. The leader composed the remaining tunes, which stress densely layered sounds, interspersed with plenty of fine improvisations. Hassler is particularly effective on accordion, but the limited tonal palette from so many reeds detracts somewhat from the whole. Still, the combination of "world" elements and very serious composing strikes a chord, and Ullman has talent to spare, both as a composer and as a soloist.


Geboren: 02 november 1957 op Bad Godesberg, Germany

Genre: Jazz

Jaren actief: '80s, '90s, '00s

Multi-instrumentalist Gebhard Ullmann (born on November 2, 1957) grew up near Bonn, studied medicine and music in Hamburg starting 1976, and moved to Berlin in 1983 to live as a professional musician. One year later, the 27-year-old was leading (and co-leading) his own bands, releasing his first albums in 1985. The next few years saw him working with Alexander Von Schlippenbach and Paul Bley (among many others) as well as touring the Middle East, East Africa, Australia, New Zealand, South East Asia,...
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Tá Lam, Gebhard Ullmann
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