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As a suburban Californian kid, DJ Shadow tended to treat hip-hop as a musical innovation, not as an explicit social protest, which goes a long way toward explaining why his debut album Endtroducing... sounded like nothing else at the time of its release. Using hip-hop, not only its rhythms but its cut-and-paste techniques, as a foundation, Shadow created a deep, endlessly intriguing world on Endtroducing, one where there are no musical genres, only shifting sonic textures and styles. Shadow created the entire album from samples, almost all pulled from obscure, forgotten vinyl, and the effect is that of a hazy, half-familiar dream — parts of the record sound familiar, yet it's clear that it only suggests music you've heard before, and that the multi-layered samples and genres create something new. And that's one of the keys to the success of Endtroducing — it's innovative, but it builds on a solid historical foundation, giving it a rich, multi-faceted sound. It's not only a major breakthrough for hip-hop and electronica, but for pop music.

Recensies van klanten


Ik heb zo veel goede herinneringen aan dit album! Voor mij een van de beste albums ooit geproduceerd!


Een van de aller aller allerbeste albums ooit gemaakt. Echt buitenaards briljant.


Met recht een klassieker. Zet een nieuwe standaard.


Geboren: 1972 op San Jose, CA

Genre: Elektronisch

Jaren actief: '90s, '00s, '10s

DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. His early singles for the label, including "In/Flux" and "Lost and Found (S.F.L.)," were all-over-the-map mini-masterpieces combining elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin finds. Although he'd already done a scattering of original and production work (during 1991-1992 for Hollywood Records) by the time Mo'...
Volledige biografie
Endtroducing..., DJ Shadow
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