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Haunted Melodies - The Songs of Rahsaad Roland Kirk

Rahsaan Roland Kirk

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Albumrecensie

Several different jazz saxophonists team up to present the music of Rahsaan Roland Kirk in a way it has never been done before — faithfully. The frontmen include Joe Lovano, Michael Marcus, Donald Harrison, James Spaulding, John Stubblefield, Craig Handy, Justin and Scott Robinson, Eric Alexander, Jed Levy, and Jimmy Greene. Xavier Davis is all over this date, playing piano on ten of the 13 tracks. Bassist Dwayne Burno and drummer Nasheet Waits comprise the rhythm section, while appearances are made by pianists Hilton Ruiz and Jaki Byard, one-time Kirk running mates. The music is immaculately selected and played in Kirk's vibrato-laden, blues-drenched style. Marcus picks up stritch and manzello for the "The Haunted Melody," and Harrison's alto and Handy's tenor coalesce beautifully during "Gifts and Messages." It takes no less than five saxophonists to match Kirk's sonic gestures on the stark, dramatic "Inflated Tear," with Levy leading on tenor followed by Greene, Justin Robinson's alto, Scott's baritone, and Marcus on stritch. Lovano shines on two cuts, his vibrant blues overtones punctuating "No Tonic Prez" and "Now Please Don't You Cry, Beautiful Edith." Stubblefield and Spaulding star on the hip, urgent "Pedal Up" and "Blue Rol." Byard does an elegant solo version of "Bright Moments," and Justin Robinson's alto highlights "April Morning." This CD easily holds one's interest, and richly reminds us of the position that Kirk held as the most creative instrumentalist the world has ever known. Recommended. ~ Michael G. Nastos, Rovi

Biografieën

Geboren: 07 augustus 1935 op Columbus, OH

Genre: Jazz

Jaren actief: '50s, '60s, '70s

Arguably the most exciting saxophone soloist in jazz history, Kirk was a post-modernist before that term even existed. Kirk played the continuum of jazz tradition as an instrument unto itself; he felt little compunction about mixing and matching elements from the music's history, and his concoctions usually seemed natural, if not inevitable. When discussing Kirk, a great deal of attention is always paid to his eccentricities — playing several horns at once, making his own instruments, clowning...
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