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Deconstructed

Bush

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Album Review

It's easy to say that Bush released the electronica remix album Deconstructed in late 1997 because they wanted to diversify, since their trademark grunge-by-numbers was losing steam. It's also probably accurate. Bush have never shown an inclination toward dance or electronic music — if anything, they were the most traditionalist and conservative band in grunge, keeping their music hard, simple, and loud, lacking even Stone Temple Pilots' psychedelic flair. They also lambasted any guitar band that wanted to stretch beyond what a traditional guitar-bass-drums lineup could do, so it's easy for the jaded observer to be cynical about Bush's leap into the world of drum'n'bass and trip-hop. And there certainly are some awkward moments on Deconstructed, but the surprising thing is, there's actually a handful of tracks that work, due of course, to the remixers, Tricky and Goldie, who turn their contributions into dark, menacing, unpredictable exercises Bush's original versions never suggested.

Biography

Formed: 1992

Genre: Alternative

Years Active: '90s, '00s, '10s

Led by guitarist/vocalist Gavin Rossdale, Bush became the first post-Nirvana British band to hit it big in America. Of course, they became a hit by playing by the grunge rules — they had loud guitars, guttural vocals, stop-start rhythms, and extreme dynamics. Formed in late 1992 by Rossdale, Bush landed an American record deal before they had a British label. Sixteen Stone, their debut album produced by Clive Langer and Alan Winstanley (producers of early-'80s hits by Madness and Elvis Costello,...
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Deconstructed, Bush
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