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Rhythmogenesis

MRI

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Album Review

A compilation of three previously released EPs on Force Tracks, Rhythmogenesis propelled MRI from obscurity to the lofty status of being one of the world's leading tech-house acts. The individual EPs that preceded Rhythmogenesis — Dauerläufer, II, and To Be Honest — had turned heads in the 12" market. Yet, when Force Tracks compiled those EPs onto a single-disc CD and gave it some marketing push, MRI began turning heads around the world, including North America. Soon MRI was touring Europe, appearing on Andrew Weatherall's jaw-dropping Hypercity mix album, and remixing Luomo. What MRI does so wonderfully here is bring the minimal ideology of techno producers such as Internal Empire-era Robert Hood, Concept-era Richie Hawtin, and Studio 1-era Wolfgang Voigt to the often generic house genre — explaining the tech-house tag. While this sounds rather simple and formulaic in theory — and already perfected by Maurizio — MRI brings a sense of nuance and elegance that transcends formula and theory. Furthermore, MRI also incorporates elements of glitch, which distances it from traditional tech- or dub-house. It's no surprise then that Rhythmogenesis propelled MRI from obscurity to stature, setting the stage for a much more dynamic follow-up album, All That Glitters.

Biography

Formed: Frankfurt, Germany

Genre: Electronic

Years Active: '90s

Few producers surpassed the success and acclaim of MRI during the rise of German minimal house in the early 2000s as chronicled by such labels as Force Tracks, Kompakt, and Perlon. This Frankfurt, Germany, production duo — Stephan Lieb and Frank Elting, who also record elsewhere — made Force Tracks one of the Force Inc. label's most embraced sub-labels beginning in 1998. A year later, Force Tracks released the first MRI full-length, Rhythmogenesis, a collection of three previously released...
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Rhythmogenesis, MRI
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