11 Songs

EDITORS’ NOTES

Even after a stroke compromised Les McCann’s ability to play piano — his first love — his determination and gloriously gritty attitude shines through on Pump It Up. Even though he is a jazzman by training, McCann has always been a funk player at heart. His feel for nasty, gutbucket funk is both ancient and strikingly modern. Without his keyboard to lead him, McCann looks to the burly, low-end playing of bassist Marcus Miller, whose instrument is upfront on “Pump It Up,” “Let It Ride (The Train),” and “Tryin’ to Make It Real,” the last of a which lifts a phrase from McCann’s most famous song (“Compared To What”) and works as a summarization of the musician’s ethos. The guest list is a reflection of McCann’s diverse sphere of influence. James Brown’s horn man Maceo Parker shows up to blow on “Funk It (Let the Music Play),” while Dianne Reeves duets with McCann on Bill Withers’ beautiful ballad “You Just Can’t Smile It Away.” The starring turn belongs to Bonnie Raitt, who is at her very best on “The Truth,” a revival of a 1964 McCann original. It’s the best gospel recording of the year, burnished by homemade ambiance.

EDITORS’ NOTES

Even after a stroke compromised Les McCann’s ability to play piano — his first love — his determination and gloriously gritty attitude shines through on Pump It Up. Even though he is a jazzman by training, McCann has always been a funk player at heart. His feel for nasty, gutbucket funk is both ancient and strikingly modern. Without his keyboard to lead him, McCann looks to the burly, low-end playing of bassist Marcus Miller, whose instrument is upfront on “Pump It Up,” “Let It Ride (The Train),” and “Tryin’ to Make It Real,” the last of a which lifts a phrase from McCann’s most famous song (“Compared To What”) and works as a summarization of the musician’s ethos. The guest list is a reflection of McCann’s diverse sphere of influence. James Brown’s horn man Maceo Parker shows up to blow on “Funk It (Let the Music Play),” while Dianne Reeves duets with McCann on Bill Withers’ beautiful ballad “You Just Can’t Smile It Away.” The starring turn belongs to Bonnie Raitt, who is at her very best on “The Truth,” a revival of a 1964 McCann original. It’s the best gospel recording of the year, burnished by homemade ambiance.

TITLE TIME
4:51
5:16
4:45
6:39
5:51
4:57
6:20
6:10
5:23
5:07
0:56

About Les McCann

Les McCann reached the peak of his career at the 1969 Montreux Jazz Festival, recording "Compared to What" and "Cold Duck Time" for Atlantic (Swiss Movement) with Eddie Harris and Benny Bailey. Although he has done some worthwhile work since then, much of it has been anticlimactic.

McCann first gained some fame in 1956 when he won a talent contest in the Navy as a singer that resulted in an appearance on television on The Ed Sullivan Show. After being discharged, he formed a trio in Los Angeles. McCann turned down an invitation to join the Cannonball Adderley Quintet so he could work on his own music. He signed a contract with Pacific Jazz and in 1960 gained some fame with his albums Les McCann Plays the Truth and The Shout. His soulful, funk style on piano was influential and McCann's singing was largely secondary until the mid-'60s. He recorded many albums for Pacific Jazz during 1960-1964, mostly with his trio but also featuring Ben Webster, Richard "Groove" Holmes, Blue Mitchell, Stanley Turrentine, Joe Pass, the Jazz Crusaders, and the Gerald Wilson Orchestra.

McCann switched to Limelight during 1965-1967 and then signed with Atlantic in 1968. After the success of Swiss Movement, McCann emphasized his singing at the expense of his playing and he began to utilize electric keyboards, notably on 1972's Layers. His recordings became less interesting to traditional jazz fans from that point on, and after his Atlantic contract ran out in 1976, McCann appeared on records much less often. However, he stayed popular and a 1994 reunion tour with Eddie Harris was quite successful. A mid-'90s stroke put him out of action for a time and weakened his keyboard playing (his band began carrying an additional keyboardist) but Les McCann returned to a more active schedule during 1996 and was still a powerful singer. His comeback was solidified by 2002's Pump It Up, a guest-heavy celebration of funk and jazz released on ESC Records. ~ Scott Yanow

  • ORIGIN
    Lexington, KY
  • BORN
    23 Sep 1935

Top Songs by Les McCann

Top Albums by Les McCann