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Big Ones

Aerosmith

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Album Review

Big Ones serves up the hits and nothing but the hits (Aerosmith's excellent debut for Geffen, Done with Mirrors, was conveniently overlooked for this collection). So what's left is some of the finest mainstream hard rock of the late '80s and early '90s; the fruit of one of the most remarkable comebacks in rock & roll history. Unfortunately, there's precious little of the classic Aerosmith raunch; in fact, the two new tracks are the hardest, slinkiest tracks here. Otherwise, the up-tempo tracks bog down in overproduction ("Love in an Elevator"), and the often embarrassingly overwrought power ballads ("Angel" and "Crazy") dominate too much of the album. So what's left? The band's best stab at social commentary ("Janie's Got a Gun"); a sublime, slinky throwaway ("Deuces Are Wild"); deliciously sleazy blues-rock ("Rag Doll" and "[Dude] Looks Like a Lady"); and their best ballads ("What It Takes") and "Cryin'"). [Also available as an expanded edition.]

Customer Reviews

Doing it old school!

Heard it, bought it, loved it! <3 ^^

Biography

Formed: 1970 in Boston, MA

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Aerosmith were one of the most popular hard rock bands of the '70s, setting the style and sound of hard rock and heavy metal for the next two decades with their raunchy, bluesy swagger. The Boston-based quintet found the middle ground between the menace of the Rolling Stones and the campy, sleazy flamboyance of the New York...
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