Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from The Hymn by Clark Terry, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

The Hymn

Open iTunes to preview, buy and download music.

Album Review

While it didn't see release until 2001, this quintet date was recorded in 1993 at New York's Birdland, which at the time was still on 105th Street (it would soon move to 44th, near Times Square). Joining trumpet legend Clark Terry in the front line is the young alto saxophonist Jesse Davis, who is quite at home with the bop-oriented material at hand. Pianist Don Friedman, bassist Marcus McLaurine, and drummer Sylvia Cuenca complete the lineup, helping Terry do his thing, whether it's the fast swing of "The Hymn," "Rhythm Ride," and "Is It True What They Say About Dixie?"; the medium tempos of "Ow!" and "On the Trail"; or the greasy, comedic, vocal showstopper "Blues for Rebecca." Terry likes to double- and even triple-time his ballads, as he does on "My Romance" and "Mood Indigo" (on the latter, listen for his quotes of "Jersey Bounce" and "Cherokee," and also Friedman's superb solo). He also covers effortlessly for his mangling of the lyrics to "Sunny Side of the Street." And no Clark Terry album would be complete without his trademark back-and-forth improv on trumpet and flugelhorn — sure enough, it surfaces during "On the Trail." A worthy addition to a lengthy discography. ~ David R. Adler, Rovi


Born: 14 December 1920 in St. Louis, MO

Genre: Jazz

Years Active: '50s, '60s, '70s, '80s, '90s, '00s, '10s

Possessor of the happiest sound in jazz, flügelhornist Clark Terry always played music that was exuberant, swinging, and fun. A brilliant (and very distinctive) soloist, Terry gained fame for his "Mumbles" vocals (which started as a satire of the less intelligible ancient blues singers) and was also an enthusiastic educator. He gained early experience playing trumpet in the viable St. Louis jazz scene of the early '40s (where he was an inspiration for Miles Davis) and, after performing in a Navy...
Full bio