Opening the iTunes Store.If iTunes doesn’t open, click the iTunes application icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from 20 Standards (Quartet) 2003 by Anthony Braxton, download iTunes now.

Already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

20 Standards (Quartet) 2003

Open iTunes to preview, buy and download music.

Album Review

Released a year after 23 Standards (Quartet) 2003, this second four-disc set doubles the amount of material released from Braxton's tours of Europe in early and late 2003, with the same lineup (Braxton on saxes, Kevin O'Neil on guitar, bassist Andy Eulau, and drummer Kevin Norton), same focus on jazz standards, and even the same dates in some cases. Together, the two four-CD sets released by Leo Records present recordings from ten different European dates (two in February 2003 and eight in November of that year). This second set continues with the editorial approach used in the first one: each disc consists of tracks from different concerts, brought together to make a balanced record. So this second five-hour helping adds pieces performed at shows already represented in the first box set, and covers a couple of shows that were left untouched. Leftovers? Hardly. In fact, it is easy to be convinced that all eight discs were conceived simultaneously. Again, one is struck by the multifaceted balance of the album as a whole. Jazz crowd favorites like Desmond's "Take Five," Brubeck's "Blue Rondo à la Turk," Coltrane's "Lonnie's Lament," and Parker's "Blues for Alice" are presented side by side with less covered tunes, like Mulligan's "Lines for Lyons" and Harris' "Freedom Jazz Dance." And, as usual in such a jazz setting, Braxton pays a loving tribute to each tune, respecting the melody, pushing it beyond the composer's wildest dreams, taking it apart and reassembling it in the most natural-sounding way. The quartet takes flight right off the starting block with a 20-minute rendition of "All the Things You Are." Other highlights include Norton's solo in "Lines for Lyons," Braxton's uncanny out-sensitivity in "Waltz for Debbie," and the slippery playfulness — and impossible telepathy — of the quartet in "Take Five." Since the first box set sold out pretty quickly, this one is like a second chance, with all new material. These are masterfully creative revisitations of chunks of jazz history, big and small. Limited to a thousand copies, this album, like the previous one, is bound to become a collector's favorite. ~ François Couture, Rovi


Born: 04 June 1945 in Chicago, IL

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

Genius is a rare commodity in any art form, but at the end of the 20th century it seemed all but non-existent in jazz, a music that had ceased looking ahead and begun swallowing its tail. If it seemed like the music had run out of ideas, it might be because Anthony Braxton covered just about every conceivable area of creativity during the course of his extraordinary career. The multi-reedist/composer might very well be jazz's last bona fide genius. Braxton began with jazz's essential rhythmic and...
Full Bio