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Bleeding Through

Bleeding Through

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Album Review

Orange County, CA-based metalcore outfit Bleeding Through’s eponymous sixth album (and first for Oregon’s Rise Records) strikes the perfect balance between punk, grindcore, and symphonic metal. The latter, dutifully honored by keyboardist Marta’s instrumental opener, “A Resurrection” (a title that may serve as a tip of the hat to the demise of the group’s public battle with former label Trust Kill), falls right in line with intro-heavy Scandinavian death metal acts like Therion and At the Gates, and lyrics that range from classic punk swagger (I’ve heard enough of you/F*****g go away” [“Anti-Hero”]) to vintage black metal-infused refrigerator poetry (“This sinking feeling in your soul will forever haunt you/Disgusting apathy, no freedom from suffering” [“Slow You Roll”]) swim side by side in the grim waters of disillusion. Lean, deafening, and effective in its brutality, Bleeding Through may not have brought anything new to the table, but at least it brought everything else.

Biography

Formed: 2000 in Orange County, CA

Genre: Rock

Years Active: '00s, '10s

Orange County, CA, sextet Bleeding Through formed in the year 2000, featuring vocalist Brandan Schieppati, guitarists Brian Leppke and Scott Danough, bassist Ryan Wombacher, drummer Derek Youngsma, and keyboardist Marta Peterson. Probably the county's biggest misfits, Bleeding Through don't play pop, ska, hardcore, or even punk (though they sure look like the latter), but rather crushing aggro-death-core popular among many post-millennial American post-screamo bands. Bleeding Through have ties to...
Full Bio
Bleeding Through, Bleeding Through
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  • $17.99
  • Genres: Alternative, Music, Rock, Hard Rock, Metal
  • Released: 09 April 2010

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