23 Songs, 3 Hours, 34 Minutes

EDITORS’ NOTES

British math rockers Foals re-create the pleasures of the homemade cassette compilation on Tapes. Compiled by keyboardist Edwin Congreave and reflecting the band's collective tastes, this mixtape-on-CD digs deep into a number of eras, with an emphasis on groove and atmosphere. It takes listeners on a dizzying romp through several continents’ worth of odd tracks, including Nicolas Jaar’s mesmerizing “Space Is Only Noise,” Condry Ziqubu’s effervescent “Confusion (Ma Afrika),” Teenage Fantasy’s throbbing “Cheaters," and Tony Allen’s tingly “Kilode.” And from there it gets even more variegated and quirky, veering from the subterranean house sounds of Art Department’s “We Call Love” to the vintage disco glitz of Cerrone’s “Give Me Love” (as remixed by Frankie Knuckles) and the cosmic beat antics of Julio Bashmore’s “Battle for Middle You.” Overall, the tune selection seems at once whimsical and utterly logical, offered with a generous spirit and not an ounce of irony. Tapes offers an underground dance party that anyone can crash.

EDITORS’ NOTES

British math rockers Foals re-create the pleasures of the homemade cassette compilation on Tapes. Compiled by keyboardist Edwin Congreave and reflecting the band's collective tastes, this mixtape-on-CD digs deep into a number of eras, with an emphasis on groove and atmosphere. It takes listeners on a dizzying romp through several continents’ worth of odd tracks, including Nicolas Jaar’s mesmerizing “Space Is Only Noise,” Condry Ziqubu’s effervescent “Confusion (Ma Afrika),” Teenage Fantasy’s throbbing “Cheaters," and Tony Allen’s tingly “Kilode.” And from there it gets even more variegated and quirky, veering from the subterranean house sounds of Art Department’s “We Call Love” to the vintage disco glitz of Cerrone’s “Give Me Love” (as remixed by Frankie Knuckles) and the cosmic beat antics of Julio Bashmore’s “Battle for Middle You.” Overall, the tune selection seems at once whimsical and utterly logical, offered with a generous spirit and not an ounce of irony. Tapes offers an underground dance party that anyone can crash.

TITLE TIME
3:21
4:24
3:19
5:50
4:00
9:14
4:49
6:00
6:30
6:34
9:14
8:25
6:18
6:15
5:50
11:14
7:16
8:26
6:54
6:54
7:03
3:17
73:51

About Foals

Formed in Oxford, England, by longtime friends Yannis Philippakis (guitar) and Jack Bevan (drums), along with Andrew Mears on vocals, guitarist Jimmy Smith, and bassist Walter Gervers, Foals -- whose name is a play on the etymology of Philippakis' name -- began as a way to protest against the proggier sounds that were both popular in Oxford and in Philippakis and Bevan's former band, the Edmund Fitzgerald. After releasing the single "Try This on Your Piano" in 2006, Mears left Foals in order to more fully concentrate on his other group, Youthmovies (formerly Youthmovie Soundtrack Strategies), and Philippakis -- who had lived until he was seven in a tiny Grecian village -- added the role of lead vocals to his guitar-playing duties. Edwin Congreave, a fellow Oxford student the frontman had met when they were both working at the same bar, and who introduced the group to techno, soon joined in on keyboards, despite the fact he had never played the instrument before -- nor ever been in a band -- and the full lineup of Foals was completed.

The quintet worked on perfecting its poppy, jittery, upbeat, math rock/post-punk sound by playing house parties around the area, and soon the group was signed to Transgressive Records, which released the singles "Hummer" and "Mathletics" in April and August of 2007, respectively. Foals picked up quite a buzz in the U.K., and in June 2007 they went to New York to record their debut album under the guidance of producer and TV on the Radio guitarist Dave Sitek. The sessions went well, but the bandmembers ended up not being happy with the final mix, choosing instead to remix it themselves, and issuing the full-length, Antidotes -- which, incidentally, included neither "Hummer" nor "Mathletics" -- in March of 2008, while Sub Pop picked up the album in the U.S. and gave it an April release, adding the two neglected singles as bonus tracks.

Two years later the band returned with its sophomore album, Total Life Forever, released by Transgressive Records. After having songs appear on shows like Entourage and Misfits, the band returned in early 2013 with its third album, the expansive and more balanced Holy Fire, Foals' first record to chart outside of Western Europe, cracking the Billboard 200 in the U.S. and topping the album chart in Australia. A concert DVD/Blu-ray, Live at the Royal Albert Hall, followed that fall, and picking up where Holy Fire left off, What Went Down arrived in the summer of 2015. ~ Marisa Brown

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