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Don't Let It Go

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Album Review

On alto saxophonist Vincent Herring's third Musicmasters release, he is joined by trumpeter Scott Wendholt, pianist Cyrus Chestnut, bassist Jesse Yusef Murphy, and drummer Carl Allen to perform seven originals (five by the group's members) and one jazz classic, Duke Pearson's hard-swinging "Big Bertha." Outside of "Big Bertha," this recording has a more relaxed, introspective feel, a departure from Herring's previous hard bop-oriented releases. Herring's big, Adderley-influenced sound is intact, but his attack is more restrained, expressing the emotions that help to shape the music, and his unison lines with Wendholt on the melodies give this recording much of its flavor. Other favorites include the Shorter-ish title track, Chestnut's Latin-influenced "Into the Midnight" (a feature for Herring's soprano), Tex Allen's "Sabrosa," which has a slower, Latin-influenced melody, and Wendholt's fast waltz, "The Unknown Ideal" (another Herring soprano feature). This is a welcome addition to the Herring discography.


Born: 19 November 1964 in Hopkinsville, KY

Genre: Jazz

Years Active: '80s, '90s, '00s

It was only fitting that Vincent Herring gained his first important recognition playing with Nat Adderley, for his sound is strongly influenced by his idol, Cannonball Adderley. Born in Kentucky and raised in California, Herring moved to New York in 1983, and played with a variety of major musicians (including Lionel Hampton, David Murray, Horace Silver, and Art Blakey) before joining Adderley (1987-1993)....
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Don't Let It Go, Vincent Herring
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