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Godington Boundry

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Album Review

This isn't Graham's most focused or impressive album, but is basically in the same league as most of his early catalog. It's more jazz-oriented than most of his work; he sings rather less than usual and occasionally goes into lengthy improvisations (as on his cover of "The Work Song"). Graham's wife, Holly, gets co-billed, as she did on his previous album, Kaleidoscope, but actually she contributes only to a few numbers; she's more of a guest artist than a true collaborator. Indian/raga influences come into play once in a while, and on the whole it's somewhat quirkier than his previous string of albums. It would also be the last the public would hear from Graham on record for quite some time, as he found himself without a contract for most of the 1970s.


Born: 22 November 1940 in Leicester, England

Genre: Singer/Songwriter

Years Active: '60s, '70s, '80s, '90s, '00s

Davy Graham was one of the most eclectic guitarists of the 1960s, and his mixture of folk, blues, jazz, Middle Eastern sounds, and Indian ragas was an important catalyst of the British folk scene. Like Sandy Bull and John Fahey -- two folk-based guitarists with a similar taste for genre-bending experimentation -- Graham could not be said to be a rock musician. But like Bull and Fahey, he shared the eagerness of the '60s psychedelic rockers to stretch out and incorporate unpredictable influences into...
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Godington Boundry, Davy Graham
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