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Bloodthirst

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Album Review

Bloodthirst is the seventh full-length album by Cannibal Corpse, and it's rather remarkable how little the band's sound has changed over the course of an entire decade. Sure, their musicianship has gotten a little more polished, and they've perfected their formula a bit more, but it's essentially been the same vibe on every album throughout their career. Bloodthirst is not that much different from the other Cannibal Corpse recording with George "Corpsegrinder" Fisher (which in turn were not an incredible distance removed from the Chris Barnes era); there are the prerequisite detuned grinding guitars, hyperspeed blastbeat drumming, and vocals that sound like Fisher's larynx is being put through a garbage disposal, plus lyrics geared for maximum gore and shock value. The appeal of Bloodthirst, then, is likely to rest on your answer to the question "how much Cannibal Corpse do you really need"? If you enjoy the formula, haven't tired of it, and want to hear more material in the same vein, Bloodthirst is exactly what you're looking for. Otherwise, just get a couple of the Chris Barnes albums.

Biography

Formed: 1988 in Buffalo, NY

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

"If vomit were a movie, this would be the soundtrack," wrote one critic of Cannibal Corpse's music, some of the most extreme, violent death metal sounds and subject matter ever committed to tape. Reveling in splatter-horror imagery in their often indecipherable lyrics, the group's graphic album artwork and song titles like "Meat Hook Sodomy," "Entrails Ripped from a Virgin's Cunt," "Fucked with a Knife," and so on, have -- not surprisingly -- attracted a fair amount of controversy and sometimes resulted...
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Bloodthirst, Cannibal Corpse
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