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Yeah, Me Too

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Album Review

Yeah, Me Too is Gaunt at their independent peak. It was the next-to-last release before the band signed with a major label and subsequently broke up — after recording the uncharacteristically aimless Bricks and Blackouts for Warner Bros.. Still enough connected to their punk attitude to have it infused into their recordings, Gaunt did more than simply maintain the correct tempo, they flailed at their instruments on Yeah, Me Too, adding generous amounts of sweat and believability to their pop-punk. Standout tracks include the punchy "Just Leave" and "Now," with its urgent chorus, but all of the material is of a similar fine quality. Far from being an important, or really even notable '90s punk outfit, Gaunt at least seemed to believe in their music and themselves. This honesty and strong sense of direction is distinctly evident on Yeah, Me Too, perhaps the band's finest album.


Formed: 1991 in Columbus, OH

Genre: Electronic

Years Active: '90s

Over the course of their seven-year recording career, Columbus, OH's Gaunt gained a sizeable following in their hometown, as well as across the globe. Fronted by the wisecracking vocalist/guitarist Jerry Wick, the quartet recorded albums for highly esteemed record labels like Thrill Jockey and Amphetamine Reptile before signing to Warner Brothers and eventually splitting up. In 1967, Jerry Wick was born in Parma, OH, to the proud parents of Sharon and Jerry Wick. Years later, during the early '90s,...
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Yeah, Me Too, Gaunt
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