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Sweet Lovely

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Reseña de álbum

David Murray's string of recordings for Black Saint were among the most rewarding of his career. This one differs from many in that the adventurous tenorman improvises in a sparse trio with bassist Fred Hopkins and drummer Steve McCall. Murray stretches out on four of his originals (which clock in between eight and twelve-and-a-half minutes) and shows plenty of fire but also a healthy dose of lyricism. This is exciting music very much in the avant-garde.

Biografía

Nacido(a): 19 de febrero de 1955 en Berkeley, CA

Género: Jazz

Años de actividad: '70s, '80s, '90s, '00s, '10s

Initially an inheritor of an abstract/expressionist improvising style originated in the '60s by such saxophonists as Albert Ayler and Archie Shepp, David Murray eventually evolved into something of a mainstream tenorist, playing standards with conventional rhythm sections. However, Murray's readings of the old chestnuts are vastly different from interpretations by bebop saxophonists of his generation. Murray's sound is deep, dark, and furry with a wide vibrato — reminiscent of such swing-era...
Biografía completa