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Fog Tropes / Gradual Requiem / Gambuh I

Ingram Marshall

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Reseña de álbum

Composed for brass sextet, fog horns and ambient textures, Marshall's "Fog Tropes" stands in sharp contrast to his "Gradual Requiem," a piece typified by the use of tremelando effects on its mandolins and keyboards. It also employs the gambuh, an end-blown flute descended from Bali.

Biografía

Nacido(a): 10 de mayo de 1942 en Mount Vernon, NY

Género: Clásica

Años de actividad: '60s, '70s, '80s, '90s, '00s

While composer Ingram Marshall's earliest compositions were electronic works, he has increasingly written for live musicians, including the Kronos Quartet. In the mid-'60s, he studied under Vladimir Ussachevsky, among others, while in another program at Columbia. Marshall then learned from Morton Subotnick, first (briefly) in Greenwich Village, then at Cal Arts as his assistant during the early '70s. It was while earning his masters at Cal Arts that Marshall was first exposed to Indonesian music,...
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Fog Tropes / Gradual Requiem / Gambuh I, Ingram Marshall
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